I'm currently in a group invitation show at Matchbox called Moments | Spaces | Time | Places (link) (or something like that, I think that all involved have got a little tired of typing it!). 

Primitive markings2015, digital c-type print A kind of peace2013, digital c-type print The longer the note was on the board the less sun bleached the board got2013, digital c-type print

They have hung The longer the note was on the board the less sun bleached the board got 90 degrees clockwise, but I have a feeling that it might actually be better that way, I'm not above responding openly to chance! I recently showed my sister a test print for a show in October and had it upside down for several minutes before correcting this, and she politely pointed out that it was not as good the 'right' way up. So be it.

There are some nice things in the show, including my friend Zara Pears showing some more of her boundary-pushing portraiture, do pop along and see it! The show title made me think about how I don't tend to treat bits of time or space as discrete lumps, rather I often compress them together. Even the light-painting work from a few years back was about the past and present together, and also they were long periods of time compressed into a frame. It's interesting. Still no snapshots for me!

The The Hinterland show in October is going to be great. I still have much to organise for my contribution, but it should just be manageable. It's going to be all-new work for me, and a bit of a branching off.